Today I attended a Cyber Security talk with my local ISACA chapter (blah blah blah what I do during the day blah blah blah), but there’s an amazing set of needlework art on the walls of the college where we meet. And that’s what we’re going to talk about here.
The plaque describing where these come from was gold and shiny and defied all pictures. And my brain was filled with cyber security details related to my work, so I didn’t even write down the details or take a rubbing (now that’s a good idea for the next meeting! the plaque is engraved!). I promise I will write this down at my next monthly meeting – specific credit is due!
The mixture of small and large needlework stitches fascinates me on these works (and they’re not even behind glass y’all! I didn’t touch the stitches – I swear – tho I wanted to…). So here’s the best visual I’ve found so far of how this is created: Petit Point . I believe these items are from the early 1900’s.
Mastery to the Nth degree, in my book. Reality: This artist started with long blank canvases and stitched complex three-dimensional patterns on them with different threads in different material:stitch parameters. I’m just beginning to imagine how to create this kind of diversity in my threading.
I love being a part of this long history of tapestry, embroidery, needlework and crochet. We are making pieces of love that last the ages (on this topic: Please please check out what Amy Meissner is doing with historic handcrafted and found pieces. She is a huge inspiration for me, and I love to see how she is incorporating sewn pieces from our cultural past into a new future. I also love how she uses found items in her art. Very thought-provoking for me…).
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